Friday, August 26, 2011

A Comparison of Duo Seraphim Treatments

The text has been composed into late renaissance and early baroque pieces many times. Each composer treats it differently. This is a brief analysis if their differences.
Original TextEnglish Translation
Duo seraphim clamabant,
alter ad alterum:
Sanctus, Sanctus, Sanctus,
Dominus Deus Sabaoth.
Plena est omnis terra gloria ejus.
Tres sunt qui testimonium dant
in coelo.
Pater, Verbum, et Spiritus Sanctus
et hic tres unum sunt.
Laus et perennis gloria
Deo Patri cum Filio,
sancto simul Paraclito in sempiterna secula.
The two Seraphim proclaimed,
one to the other:
Holy, Holy, Holy,
Lord God of Hosts.
The whole earth is full of his glory.
There are three who give testimony
in heaven:
the Father, the Word, and the Holy Spirit;
and these three are one.
Praise and continuing glory
be to God the Father and the Son
and the Holy Spirit now and forevermore















The text clearly explains that there are two angels proclaiming that God has all glory and the earth is full of His glory forever. Is it enough to simply set the words to music? Or is it preferable to compose the music in such a way that it reflects the text.

Claudio Monteverdi (1567 - 1643) starts with a duet, representing the two seraph angels. When the text "Three bear witness in heaven," comes in, a third voice sings to represent the holy trinity. It remains a trio the rest of the piece.

Hans Leo Hassler (1562 - 1612) starts out with a duet but goes to full double chorus by the words “Sanctus”

Jacobus (Jacob) Gallus/Handl (1550 - 1591) wrote a double chorus in the antiphonal style but did not start out with two voices.

Francisco Guerrero (1528-1599) writes a duet to start but brings in the rest of the chorus by “Sanctus” (as Hasller did). Interestingly enough, he maintains a tri-choral piece instead of a double chorus. This is reminiscent of Monteverdi’s trio, probably referencing the holy trinity, but not painting the text (the fact that there are only two angles singing). He brings the three choirs in on "Sanctus" rather than on "three bear witness" as Monteverdi did.

Richard Dehring (1580 – 1630) writes a Duet throughout.

Tomas Luis De Victoria (1548 - 1611) also starts out with a duet but, like Hassler, brings the full chorus in by “Sanctus.” He does, however, use only three parts (like Monteverdi and Scheidt) when describing that there are “three” that bear witness in heaven. Victoria also writes the score for SSAA or TTBB (however you choose to interpret his score). This makes sense as the song is about angels proclaiming about the greatness of God. It takes gender out of the equation and makes it easier to envision that these are angels singing, and not “men and women.”

Samuel Scheidt (1587 - 1654) creates a lot of text painting, choosing to start the piece with two “angels” singing. Not until “the world is full” does the full double chorus come in. This makes lyrical sense. Even when the full chorus is in, he keeps the polychoral piece in the antiphonal style, not letting us forget that there are in fact only two angels crying out the name of the lord at this time.

Monday, August 15, 2011

Back to College Life

So much going on in life right now, I thought it'd be appropriate to blog about my adventures in Colorado. Whether or not anyone cares enough to actually read my upcoming blog posts matters not. If nothing else, this will serve as a good journal for me.

In the past two weeks:
  • I attended Harmony University for my first time
  • My Grandma died and I attended her funeral
  • My wife and daughters were in a bad car accident
  • I moved to Colorado from Nevada
  • I am starting back into school after seven years
Needless to say, I am busy.

Today was my first day on campus (University of Colorado, Boulder). School doesn't actually start until next week but I will be taking exams this week. Today I got my "BuffOne Card", met a few of the graduate students, etc. I also attended my first meeting, an informational meeting about a Graduate Teaching Program, and promptly fell asleep. ...and I was in the front row. Ugh. I need more sleep. Will someone please get that memo to my children?
Boulder is gorgeous! The campus is beautiful and the surrounding mountains are breathtaking. The weather here is wonderful as well (though that's not hard compared to Vegas). Ask me again in the winter and I'll let you know if I still hold this opinion.

Today I started my preliminary exams in Aural Theory, Written Theory, and Tonal Analysis. This afternoon I take Post-Tonal Analysis, and Counterpoint. Sound fun? Yeah, I'm pretty worried about some of these. I felt okay about this morning's exams but they are hard! I've spoken to some other graduate students and they have put my mind at ease a bit. They assure me it's not all that big a deal to fail the exams. Some of the material is hard because I was never taught the information in my undergraduate work. Other stuff is hard because I simply don't remember.

I can already feel that I will be extremely busy. My class schedule is a bit up in the air but from the looks of things, I'll be on campus from morning until night, working hard. I'm ready, though. Let's do this.

In other news, I'm extremely excited to be joining the Sound of the Rockies Chorus. They are a 3rd place international level chorus with the Barbershop Harmony Society. One of the biggest reasons I'm pursuing my advanced degrees is so that I have more education to bring to the society, so being a part of this chorus is a great thing on my barbershop journey. I am excited to see how I can contribute to this ensemble. Last Thursday (their rehearsal night) I was moving so I missed out on my weekly dose of harmony. I'm craving some locked chords right now.

So that's my introduction to my new life out here in Colorado. New house, new school, new scenery, and even soon to be a new car (because of the aforementioned totaling of our van -- everyone was okay by the way).